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  • Facts & Stories

    Italy-USA : OMRI Orders to the Co-Chairs of the Congressional Italian American Delegation, William Pascrell and Patrick Tiberi

    On May 22, 2013, the Ambassador of Italy to the United States Claudio Bisogniero inducted Congressmen Patrick Tiberi and William Pascrell, Co-Chairs of the broad Congressional Italian American Delegation into the Order of Merit of the Republic of Italy (OMRI).

    The Order of Merit of the Italian Republic was founded as the senior order of knighthood bythe second President of the Italian Republic, Luigi Einaudi in 1951.

    As the highest ranking honour of the Republic, it is awarded for "merit acquired by the nation" in the fields of literature, the arts, economy, public service, and social, philanthropic and humanitarian activities and for long and conspicuous service in civilian and military careers.

    The ceremony was held at Villa Firenze, the official residence of the Ambassador of Italy to the United States (2800 Albemarle Street, NW – Washington, DC and it was attended by numerous members of the U.S. Senate and House of Representatives. It aimed to honor the achievements and contributions of the two congressmen, both eagerly passionate about strengthening the relations between Italy and the United States at all levels. 

    Republican Tiberi and Democratic Pascrell distinguished themselves exceptionally in their initiatives to promote Italian language and culture in the United States, to bring a stop to the stereotyping of Italian Americans, and to expand personal contacts and bilateral relations in the economic field.

    Pat Tiberi and Bill Pascrell have always been great supporters of Italy and have made major contributions to the relations between our country and the United States,” stated Ambassador Bisogniero. “It is an honor for me,” he continued, “to present two great friends of Italy in Congress with one of the most important orders conferred by the President of the Republic.”

    The event was particularly meaningful as it fell within the framework of the programmed events for 2013: Year of Italian Culture in the United States, held under the auspices of the President of the Italian Republic and organized by the Italian Ministry of Foreign Affairs and the Embassy of Italy in Washington, the initiative boasts over 200 cultural events in more than 50 U.S. cities. Over 80 U.S. institutions and organizations are actively involved with a genuine spirit of partnership and cooperation.

  • L'altra Italia

    2 concorsi letterari per John Fante

    L’8 maggio 1983 moriva a Los Angeles il grande scrittore italo americano John Fante, cieco ed amputato di entrambe le gambe per un diabete che da anni lo assillava. Era nato a Denver, in Colorado, l’8 aprile 1909 da Nicola Fante (Nick), emigrato abruzzese di Torricella Peligna e da Mary Capoluongo, originaria di Chicago e figlia d’immigrati lucani.
     

    “Rimasi fermo per un attimo a leggere, poi mi portai il libro al tavolo con l’aria di uno che ha  trovato l’oro nell’immondezzaio cittadino … Quando cominciai a leggere quel libro mi parve che mi fosse capitato un miracolo, grande e inatteso … l’autore era John Fante, che avrebbe esercitato un’influenza duratura su di me …”.
     
    Sono passati 30 anni dalla sua morte e vogliamo ricordarlo con le parole di Charles Bukowski. A lui si deve la riscoperta di questo grande scrittore italo americano che tanto ha segnato la letteratura del ‘900. Uno scrivere ficcante, rapido, incisivo, ironico. Fante ha la capacità di raccontare il mondo che gli ruota intorno: “C'era qualcosa che non andava, anzi, c'era tutto che non andava … Guardai le facce della gente attorno a me, e sentii che la mia era uguale alle altre. Facce senza sangue, facce tirate, preoccupate, smarrite. Facce sbiadite come fiori strappati dalla radice e ficcati in un altro vaso. Dovevo andarmene da quella città.” (da Chiedi alla polvere).
     
    Il Comune di Torricella Peligna, paese di origine del padre dello scrittore, dal 2006 organizza il Festival “Il Dio di mio padre”, sotto la direzione artistica di Giovanna Di Lello, e per la VIII edizione, che si svolgerà dal 23 al 25 agosto prossimi, indice due concorsi letterari.
     
    Il primo è per racconti inediti dedicati a John Fante, in occasione del Trentennale della morte dello scrittore. Per partecipare al concorso è richiesta la pubblicazione del racconto sul profilo Facebook del Festival letterario “Il Dio di mio padre” dedicato a John Fante, al seguente indirizzo http://www.facebook.com/johnfante.org. I racconti si possono postare fino al 30 giugno 2013.
     
    Il secondo concorso è il “PREMIO JOHN FANTE OPERA PRIMA”, per il romanzo o la raccolta di racconti, riservato ad un’opera prima, in lingua italiana, edita in Italia nel corso dei dodici mesi precedenti il bando. La Giuria tecnica, composta da Francesco Durante (presidente), Masolino D’Amico e Giulia Alberico, provvederà a scegliere le tre opere finaliste e le sottoporrà ad una Giuria popolare che ne decreterà il vincitore. Le opere dovranno essere consegnate o recapitate alla Segreteria del Festival entro e non oltre il 15 giugno 2013. Tutte le informazioni sul sito www.johnfante.org .
     
     
    Cenni biografici (da www.johnfante.org)
     
    John Fante nasce a Denver, nel Colorado (Usa), l’8 aprile 1909 da un’umile famiglia d’origine italiana. Il padre, Nick, un muratore di Torricella Peligna (Abruzzo meridionale), emigra negli Stati Uniti nei primi anni del Novecento, dove sposa Mary Capoluongo, una cattolicissima italoamericana, nata a Chicago, figlia di un sarto lucano. John Fante, primo di quattro figli, trascorre la sua infanzia a Boulder (Colorado) e nel 1927 si diploma al Regis High School di Denver, dai Gesuiti. Subito dopo, inizia a frequentare l’Università del Colorado senza mai ultimare gli studi. Negli anni Trenta, poco più che ventenne, John Fante si trasferisce in California, a Wilmington, nei pressi del porto di Los Angeles. Segue per un breve periodo alcuni corsi di scrittura all’Università di Long Beach: vuole diventare scrittore. Resta folgorato dalla prosa dello scrittore norvegese Knut Hamsun, suo indiscusso maestro. In questo periodo, H. L. Mencken, uno dei critici più autorevoli del tempo, lo incoraggia a scrivere e gli pubblica diversi racconti sulla nota rivista “The American Mercury”, tra cui Il Chierichetto. A Los Angeles, Fante è costretto ad alternare la sua attività di scrittore a lavori da lavapiatti, stivatore, fattorino d’albergo, operaio nelle fabbriche di scatolame di pesce. L’esperienza fatta in questo periodo a Los Angeles, così come i ricordi legati alla sua infanzia trascorsa nel Colorado, alla figura della madre e soprattutto del padre diventeranno “materia” letteraria da cui Fante attingerà per tutta la vita. Negli anni Trenta, Nick e Mary Fante si trasferiscono a Roseville, una tranquilla cittadina californiana dove John Fante incontra la sua futura moglie, Joyce Smart, una delle prime donne laureate alla Stanford University. La famiglia Smart, costituita da ricchi proprietari terrieri anglosassoni (appartenenti ai cosiddetti WASP), non vede di buon occhio la relazione della figlia con un giovane scrittore dall’ “aspetto così italiano come lo definisce la madre di Joyce. Il 31 luglio 1937, i due innamorati decidono, perciò, di sposarsi in segreto a Reno, nel Nevada, e di trasferirsi a Los Angeles, dove avranno quattro figli.
     
    Dopo la stesura del suo primo romanzo, La strada per Los Angeles, più volte rifiutato dagli editori e uscito postumo, Fante pubblica nel 1938 Aspetta primavera, Bandini considerato dalla critica americana tra i migliori libri dell’anno. Il romanzo esce anche in Inghilterra, ed è tradotto in Italia (da Elio Vittorini) e in Norvegia. Nel 1939, viene pubblicato Chiedi alla polvere, il suo capolavoro, all’epoca recensito con meno entusiasmo del romanzo precedente. L’anno dopo, la casa editrice Viking di New York dà alla stampa la prima raccolta di racconti di Fante, Dago Red. In questi anni, Fante intraprende la professione di sceneggiatore parallelamente a quella di scrittore, ciò che gli consente di vivere con una certa agiatezza economica. Inizia a lavorare per Hollywood e lo farà per più di quarant’anni, scrivendo sceneggiature di film di serie B, ma anche per registi del calibro di Dmytryk e Orson Welles. Numerose sono anche le sue collaborazioni con produttori italiani, tra cui Dino De Laurentiis. Alla fine degli anni Trenta, Fante si dedica ad un progetto che considera decisivo per la sua carriera di scrittore. Si tratta di un romanzo sugli emigrati filippini della California (The Little Brown Brothers), per il quale firma un nuovo contratto con Pascal Covici della Viking, che però, dopo avere letto alcune stesure del romanzo, rifiuta di pubblicarlo perché poco riuscito. Amareggiato, Fante rimane circa dieci anni senza più scrivere un solo rigo di narrativa e, con grande frustrazione, si concentra quasi esclusivamente sul suo lavoro di sceneggiatore, che però non apprezzerà mai fino in fondo. Questi sono anche gli anni in cui Fante collabora con i servizi d’informazioni americani e conduce una vita d’eccessi, dedita al gioco d’azzardo, al golf e all’alcool.
     
    Bisogna aspettare gli anni Cinquanta per un nuovo romanzo. Full of Life esce nel ’52 e diventa subito un best-seller tradotto in numerosi paesi. La trasposizione hollywoodiana del romanzo da parte della Columbia Pictures lo fa prosperare economicamente. Acquista la famosa villa ad ipsilon a Point Dume, dove ambienterà Il mio cane stupito. Full of Life è diretto da Richard Quine e il ruolo da protagonista è affidato alla star del momento, Judy Holliday. Fante ne firma la sceneggiatura, per la quale ottiene anche una nomination ai Writers Guild of America.
    Negli anni Sessanta, Fante ritrova la sua verve creativa e scrive alcuni dei suoi romanzi e racconti più intensi, a lungo però ignorati dalle case editrici: La confraternita del Chianti, romanzo sulla figura del padre tra i più belli della letteratura mondiale, sarà pubblicato solo nel 1977, mentre Un anno terribile e Il mio cane stupido usciranno postumi. Nel frattempo, una nuova generazione d’artisti, principalmente californiani, vede in Fante un maestro e il vivo entusiasmo che si crea intorno alla sua opera segna l’inizio della riscoperta di uno scrittore caduto da ormai troppo tempo nel dimenticatoio.
     
    Decisivo sarà il ruolo giocato da Charles Bukowsky in questo processo letterario. In Donne (1978), John Fante diventa lo scrittore preferito di Chinasky. “Fante era il mio dio” affermerà a più riprese Bukowsky, suscitando in tal modo la curiosità dei lettori di tutto il mondo e del suo editore John Martin della Black Sparrow Press, il quale, dopo aver letto Chiedi alla polvere, ormai introvabile nelle librerie americane, progetta di ristampare tutti i suoi libri. Sebbene afflitto da un dilagante diabete contro cui combatte da anni, che lo ha reso cieco e disabile, John Fante decide nel 1979 di scrivere un nuovo romanzo e inizia a dettare alla moglie quella che sarà la sua ultima opera, Sogni di Bunker Hill, pubblicata dalla Black Sparrow nel ’82. John Fante muore l’8 maggio del 1983, qualche mese dopo la ristampa di Aspetta Primavera, Bandini. Negli anni ’90, l’opera di Fante viene ripubblicata con successo in tutt’Europa, in particolare modo in Francia e Italia. Oggi John Fante è considerato uno scrittore di culto soprattutto tra i giovani. (gdl)
     

  • Life & People

    Ferramonti, 70 Years After the Liberation

    Like many difficult memories, the history of Ferramonti and Fascist internment continues to elude the public conscience and current discourse on Italy’s totalitarian past. Yet, over the last two decades, a remarkable series of studies has exposed the practice of segregation of “undesirable civilians”. This chapter of Italy’s history is not only an integral part of the vicissitudes of 20th Century Europe, but concerns our present and the ways in which our society represents dissent and acts upon and represents the dynamics between dominant, subordinate and transversal groups.

     While publications and detailed archival resources have become more widely available to scholars and the public, the absolving narrative of the “good camps” where Jews survived in high percentage persists, perpetuating the improbable concept of Italian exceptionalism and a reading of Fascism as far removed from any European and colonial context.

    The public narrative on Ferramonti is based on two powerful rhetorical devices: the assertion of a cause-and-effect relationship between the survival of Jews in the camp and the fact that Jewish internees and Calabrian villagers engaged in material and personal exchanges; and a misleading comparison between the Ferramonti and Auschwitz – which immediately preclude any genuine analysis of history of Italian internment.

    The recent renovation of the barracks at Ferramonti into a Club-Med-style creation in warm yellow tones and the public relations campaign promoting been Calabria as a “safe haven,” and  “Southern paradise” for Jewish refugees, have met with frank perplexity by historians, public intellectuals and landmark organizations including Italia Nostra.

    The upcoming conference to be held at the prestigious Jewish center il Pitigliani in Rome marking the 70th anniversary of the liberation of the camp at Ferramonti and honoring 25 years of the Ferramonti Foundation, offers a significant opportunity to reflect on the status of current research and discuss the work that still remains to be done. The publication of its minutes will provide an indispensable tool for reevaluating the history of Ferramonti within the international context to which it belongs.  

    The conference is organized through the combined efforts of scholars and families of former internees and is sponsored by such leading lights as Anna Rossi Doria, Claudio Pavone, Piero Terracina, Anna Longo and Riccardo Schwamenthal, among others.
     

    Speakers will include: Carlo Spartaco Capogreco, whose 1988 groundbreaking volume on fascist internment has become a reference for all scholars in the field, Klaus Voigt, Liliana Picciotto, Mario Rende, Anna Pizzuti, Luciana Mariangeli, Alberto Cavaglion, Teresa Grande, James Walston, Enrico Modigliani, Mario Toscano, Luciana Rocchi and Metka Gombač.  
     

    The concentration camp at Ferramonti - originally named “Media Valle Crati”, for its setting - became operational on June 20th, 1940 with the stated purpose of removing from society “enemy aliens, subjects dangerous to national security and foreign Jews from countries that practiced racial persecution”.

    Ferramonti was located on a malaria-plagued piece of land, about 20 miles from Cosenza in Calabria, and was described, in a report from the Public Health Department, as “unhealthy and inhospitable”.

    Its construction and management were entrusted to the Fascist entrepreneur Eugenio Parrini, whose company had - within days of the internment decree - acquired control of the development contracts for this and other fascist camps.

    The Ministry of the Interior appointed the police officer Paolo Salvatore (1899-1980) as camp director. Salvatore was from Avellino and had been previously employed at the notoriously brutal political detention facility of Ponza. The camp’s staff included a secretary, a typist and two motorcyclists.

    Upon arrival, the internees underwent bureaucratic formalities, and were assigned to their barracks. Each received two trestles and a plank to be used as bed, a mattress, a pillow, two blankets, two sheets and a towel.

    The internees were subject to heavy restrictions in all aspects of their lives. Initially, any form of assembly including teaching and praying was forbidden. The distribution of quinine - essential to the treatment of malaria - was also prohibited This measure was later amended, but is indicative of the authorities’ ambivalence towards their charges and the welfare of the internees. Detainees were also subject to daily roll-calls and patrol-towers were located along the external fence.

    The establishment of the internment camps initially generated local business and was welcomed by local authorities. However, the arrival of the Jewish internees posed new challenges to the small police staff of this remote Southern village.

    Ferramonti di Tarsia was in fact even further South than Eboli, that site of political confinement so insightfully immortalized in Carlo Levi’s Christ Stopped at Eboli.

    Unlike the local population, oppressed and disenfranchised by a Regime that, at best, considered them a resource for manning the Spanish and Soviet fronts, the internees were, by and large, educated, worldly and vocal. They represented an unprecedented and probably unfathomable form of opposition. Their requests, recorded in thousands of letters and petitions preserved in the Italian State Archives, were non-political, non-violent, and related to matters of health, family reunions, children’s schooling and food and clothing – issues that had hardly been a police concern before July 1940. The supplicants were articulate, accommodating and even flattering toward any authority that might listen to them and perhaps - if not act – then at least answer.  
     

    Thousands of missives written between July 1940 and July 1943, record one consistent and universal desire - to be relocated to other, less harsh, internment locations. No one wanted to go to or remain in Ferramonti. No one could have imagined at that point that the Allies would land in Italy in July of 1943 and that internment in Ferramonti would save their lives.

    Local police and the powers that be were thrown by the incessant flow of petitions and initiatives by the internees, which opened the door to persons or organizations who might act as mediators for this foreign body which, in their views, threatened the public order.  
     

    The Italian Jewish relief agency Delasem, immediately identified Ferramonti as a high-priority area. It began to support the internees with subsidies, books, food and liturgical material and set up an infrastructure for the children. A soup kitchen and a school were established and maintained through the indefatigable efforts of Israel Kalk, a Latvian Jew who had become Italian before 1919 and had therefore been able to retain his Italian citizenship.

    Delasem operated in close collaboration with the Joint Distribution Committee from which it received substantial support. The Joint created an English language media watch for the fascist camps. Starting in 1938 reports on Mussolini’s treatment of foreign Jews was circulated through the Jewish Telegraphic Agency as well as diplomatic channels. The sudden arrest of thousands of foreign Jews in 1940 brought the otherwise discreetly handled question of fascist civilian internment into the international spotlight, and the danger its potentially negative impact posed for the image of the fascist regime among Americans and Italian Americans, played an undeniable role in shaping the attitude and tone of the Italian authorities towards foreign Jews.

    The Vatican too, that had looked favorably on the establishment of Jewish internment, deployed clergy and small charity funds to many of the internment locations. In 1941, the 65-years old Capuchin Fraire Callisto Lapinot (1876-1966), a native of Alsace, was sent to Ferramonti, ostensibly to assist Catholic internees but also - as revealed by his diary – to encourage and support new converts.

    In 1942, Riccardo Pacifici Chief Rabbi of Genoa and member of Delasem, also travelled to Ferramonti to bring comfort to his coreligionists and assess their conditions and needs.

    In spite of the potentially divergent goals of Father Lapinot and Delasem, the necessities of physical survival and the common needs of internees and local villagers in the face of hunger and illness frequently prevailed, facilitating a wide range of cooperative endeavors.

    These developments led to some restrictions – especially those limiting public assembly, praying and teaching - being progressively lifted; and soon afterwards local authorities decided to allow the creation of a committee of Jewish internees that could help with the management of community and religious issues. The creation of this council of internees and of a system of self-governance proved to be the best solution for assuaging anxiety and also provided an essential link between the police authority and more than 2,000 detainees of all ages, languages, genders and backgrounds. In this regard Ferramonti, and the specific characteristics of its location and purpose, repeated the model of other historic cases of segregation of the Jews, such as the ghettos in Papal Rome or occupied Warsaw.

    Ferramonti was kept under surveillance internally by volunteer fascist militia (black shirts) – and externally by the National Security Guards. Barring a few isolated cases of violence against internees by the militia, and several documented cases of forced indoctrination, the authorities’ attitude - starting with the amicable marshal Gaetano Marrari, -  was generally tolerant and adhered to those regulations outlined by the Geneva Convention in 1929.

    From November 1942 other groups of “enemy aliens” would join the Jews at Ferramonti: former Yugoslav, Greek, Chinese and French undesirables, and even, in 1943, a small group of Italian anti-Fascists; but the Jewish presence there never fell below 70%.

    In some circumstances, internees were allowed to leave the camp under police surveillance and came into contact with the local population – reduced by the war to mainly women, children and the elderly. Locals were astonished to discover that these “real Jews” bore no resemblance to the dangerous and demonized characters they’d seen depicted in the Italian press since the promulgation of the Racial Laws – in fact no Jews had been in the region since Inquisition times. And so these encounters with detainees, who turned out to be anything but sinister, quickly softened the effects of anti-Semitic propaganda.

    By the spring of 1942 the impending defeat of the Axis armies became clear. Over 16,000 foreigners (about 9,000 of them Jewish) were held in Italian detention camps in various locations, and were regarded as an added burden on a country already deep in financial crisis. Government subsidies for food, clothing, housing and medicine quickly decreased. The influx of funds from the Joint Committee now became essential – and not merely for the benefit of Jewish internees.

    With the arrival of winter, hunger and malnutrition began to rage at Ferramonti. The Jewish detainees were entrepreneurial and skilled in many fields and the villagers had access to the limited produce still farmed in the area. As the situation at the camp worsened, barter and exchanges with the villagers increased. Soon a black market and various cooperative networks flourished.

    By the beginning of the summer 1943, the Fascist Ministry of the Interior was planning to relocate the roughly 2,000 internees of Ferramonti north to Brenner, at the Austrian border. Had this proposal gone forward it would have meant a death sentence. On July 25th however, the King of Italy and the Fascist Council deposed Mussolini and opened the negotiations with the Allies that would lead in the first week of September to the Armistice.

    Shortly thereafter, the camp became directly involved in the conflict: on August 27th a Canadian plane flew over the area and bombed Ferramonti causing the death of four internees, wounding eleven and setting two of the barracks on fire. After this painful event, many internees sought shelter in the surrounding hills. Local authorities understood that they would soon come under Allied rule and they relinquished control of the camp. The Parrini management vanished overnight. Left unattended, many barracks were sacked.

    On September 14th, 1943, when more than half of the internees had fled to the surrounding areas, the Eighth battalion of the British Army entered the camp Ferramonti. All internees were set free.  

    It isn’t difficult to imagine how different their fate would have been, had the Allied forces not advanced so quickly from Sicily, and had Calabria been incorporated into the Italian social Republic.

    The Allied army dismantled the bureaucratic structures of the Fascist camp (the “first Ferramonti”) and established a displaced persons camp under the auspices of the Welfare Commission of the Allied Military government in the Occupied Territories. The “second Ferramonti,” under Anglo-American control, was born.

    Starting on September 1943, the Welfare Commission appointed Ernest F.Witte as comptroller of Ferramonti. On November 18th, he was replaced by Captain Louis Korn. Camp records document the presence of 1854 people living as displaced persons in Ferramonti.

    Between September 1943 and the end of 1944, Ferramonti was home to one of the largest and most active Jewish communities in liberated Italy. It was at this point that that fragile Jewish self-governance that first took shape during manner internment, quickly developed into vital infrastructure, including the setting up all of social and cultural services, media, education, achsharot, small businesses and, above all, a social fabric within which free individuals could return to building their present and future.

    From the second Ferramonti, many moved towards other DP camps located in better areas, especially in Puglia and Sicily. Others found their way to Africa, Palestine and the United States of America.

    On May 26th, 1944, 254 former internees left Ferramonti for Palestine on the first emigration transport authorized by the British mandatory government. On July 17th, 1944 a little over 1,000 Jews from Ferramonti and other camps in Southern Italy set sail from Naples for the United States.

    By the end of the Second World War the facility at Ferramonti had been abandoned. In the following decades its memory was kept alive solely through former internees and their families, and by some local residents

    It was not until the beginning of the 1980s with the work of Carlo Spartaco Capogreco, Klaus Voigt, Mario Rende, Francesco Folino, Michele Sarfatti and, later, Anna Pizzuti, that the memory of Ferramonti was summoned back to the arena of history. Inevitably, it began to clash with assorted political narratives and became a territory of contention.

    Even to date, in spite of thriving historical research on Fascist internment and on Ferramonti itself, the two distinct chapters in the history of Ferramonti are still packaged together and assessed as such not merely in the memory of some individuals and communities, but also in the public domain of historical record and testimony.

    Under the simplistic definitions of “kibbutz camp” and the “anti-Auschwitz”, a complex history of oppression, collusion, cooperation and survival is forgotten along with the barbed wire that once fenced Ferramonti’s 800 acres.

    Thanks to Centro Primo Levi NY

    ======

    April 24 | 10 am to 6 pm 

    Centro Ebraico Il Pitigliani | Via Arco de’ Tolomei, 1, Roma

  • Events: Reports

    New Guest of the Annual Five Boro Bike Tour

    On May 5th, 2013 New York celebrates one of Italy’s favorite sports, and no it’s not soccer! Right in time for the Italian Year of Culture in the United States, Gran Fondo Giro d’Italia has paired up with TD Five Boro Bike Tour to bring an Italian flair to cycling in the city. The 40 mile tour is held annually along a traffic-free route which weaves throughout the city’s five boroughs.

    While regular registration has been closed since January, interested riders can join the tour Italianstyle by signing up as a Gran Fondo VIP. Around 32,000 cyclists will ride in this May’s event, 2,000 of which will receive the VIP treatment. This quota has been increased since last year, in hopes to attract a greater number of both resident and international riders, with help of Giro d’Italia’s reputation.

    Riders will start their journey in downtown Manhattan, and continue north hitting the major landmarks of the city, including the Flatiron building, the site of the Freedom Tower, Central Park and Radio City Music Hall. Moving through Harlem and the Bronx, cyclists will enjoy a breezy trip along the East River, taking the Ed Koch bridge to Brooklyn and finishing by crossing the Verrazano Narrows bridge to Staten Island.

    The same excursion will be enjoyed by Gran Fondo VIP members, however these cyclists will receive a variety of perks. They will ride as the Italians do by starting off with a hearty breakfast to power them through the day. After a day of exercise, riders can kick back with a massage and live music at their final destination in Staten Island. It is here where they will also enjoy a pasta party, complete with delicious, guilt-free dishes like Sardinian Fregola pasta, a healthy combination of green and yellow wax beans, pesto sauce and radicchio.

    If the food isn’t enough to convince bikers to pay the $325 VIP fee, other incentives include a personalized bike registration number, goodie bag and an official Five Boro cycling jersey by Santini, which includes a time chip to measure the climb of the Verrazano Narrows Bridge. Not only is the event a great way to explore the city and meet fellow passionate cyclists, it is a perfect way of getting in touch with Italian culture in America.

    The event is proudly sponsored by Vittoria, Selle Italia, Limar, Santini, Bianchi, Bicycling Magazine, La Gazzetta dello Sport and Interbike.

    ------
    Event Date: Sunday, May 5th, 2013 
    Start Line: Intersection of Franklin Street and Church Street

    VIP Entry Point: Canal Street and Church Street (This is also the entry point for the breakfast.)

    Breakfast: Begins at 6am

    7:30 – Intro & Announcements

    7:45 – Start 1

    8:20 – Intro & Announcements

    8:30 – Start 2

    9:05 – Intro & Announcements

    9:15 – Start 3

    Finish Festival at Fort Wadsworth (Staten Island) 

    Expo (where and opening time)

    May 3 10am – 8pm

    May 4 9am – 7pm

    Location: Basketball City

    Pier 36 299 South Street

    More info >>>

  • Events: Reports

    Exibition Opening - Emotions from Pisa by Stefano Pasqualetti


    "...Stefano Pasqualetti shows us the Pisa that we know and above all a Pisa that we never noticed. ...This collection of photographs also demonstrate how archi- tecture, through its forms and its surfaces, can evoke emotions that are constantly changing, as sun and seasons take their daily and yearly paths."

    Howard Burns


    On the one hand, this photographic collection could engage the keen observer with a journey through the city which is as common as it is unusual, on the other hand, it could attract the attention of the absent-minded. Or more. With a camera always in hand the result is always the same: strike down there, straight into the deep. First themselves, in that thousandth of a second that opens and closes the shutter. And then, others. One must, indeed, be just there, in that place and at that time to take a picture, and how can one define the act of being in THAT particular place, and at just THAT particular time? Pure coincidence.


    This, at Casa Italiana Zerilli-Marimò at NYU,  is his first solo photos’s exibition

    Stefano was born in Pisa in 1985. He attended architecture at Ferrara’s University where he completed his architectural studies with the highest marks cum laude, with honor.He also took a course of the “Architecture History” at Scuola Normale Superiore of Pisa taught by prof. Howard Burns. He worked in the Milan office of David Chipperfield, mainly participating in national and international competitions. in 2011 Stefano wins the international competition for the new Pisa International Airport and City Gate.In the same year he publised the “Emozioni da Pisa” second edition with prof. Howard Burns’s preface. 2011 He moves in Manhattan to work at Peter Marino Architect, following architectural and interior projects all over the world.

     



     

     
    On view through April 29, 2013, Mon-Fri 10-5
    The event will feature a performance by the NYU Madrigal Singers.


  • Events: Reports

    "A Song for Life"

    "In world of increasing upheaval, we do not want that the sacrifice of the insurgents of the Warsaw Ghetto be forgotten. They demonstrated that even when everything is lost, human beings can preserve their dignity and that of the future generations. Primo Levi, 1983"
     

    In Italy, like elsewhere, the uprising of the Warsaw Ghetto became a symbol of resistance, of aworld that would never return and a new one that was about to be born. Israeli singer Charlette Shulamit Ottolenghi looks back on the millenarian Italian musical and liturgical heritage, that was largely destroyed in the Shoah, and chooses its most beautiful pieces to pay tribute to the memory of men and women who had the vision and the courage to break the logic of destruction. The repertoire of this concert draws on her two main projects: Italia Ebraica and A Voice for Life-Songs of Women in the Shoah, a program of songs written by Jewish and non Jewish women musicians in the camps.

    Organized by Primo Levi Center the concert is made possible through the generous support of the Office of Cultural Affairs of the Consulate General of Israel and the collaboration of the Consulate General of Italy, the Italian Cultural Institute, and the Consulate General of the Republic of Poland.

    ---
    Raised in Milan , Charlette Shulamit Ottolenghi immigrated to Israel at the age of eighteen. Shulamit nurtured her passion and talent for music under the tutelage of prominent professional singers, such as the worldwide famous mezzosoprano Mira Zakai and opera singer Mai Israeli. Since the beginning of her musical career in 1995, Shulamit has developed an interest in music that straddles the line between classical and folk, both in Italian and Jewish musical traditions. In recent years she has dedicated herself to the research and performing of the magnificent Jewish Italian Liturgical tradition, introducing this repertoire throughout Italy and Israel, as a guest of private as well as public institutions, including the Israeli Embassy at the Holy See (Vatican) and the Municipalities of Rome, Bologna and Venice, under the auspices of Italian president C.A. Ciampi. She recently inaugurated the Exhibition Italia Ebraica in Tel Aviv , with a unique version of this repertoire for voice, sax soprano, percussions and electronic traces, which she developed in collaboration with Maestro Alfredo Santoloci from the Santa Cecilia Accademy in Rome. 

    ---

    Wednesday, April 10, 7 P.M.
    at
    Museum of Jewish Heritage | 36 Battery Place
    The Primo Levi Center Presents
    A Song for Life

    buy tickets >>>

     

  • CAMERA E SENATO. I CANDIDATI PER AMERICA SETTENTRIONALE E CENTRALE

    ELEZIONE DELLA CAMERA DEI DEPUTATI DEL 24-25 FEBBRAIO 2013 CIRCOSCRIZIONE ESTERO
    RIPARTIZIONE AMERICA SETTENTRIONALE E CENTRALE


    ELEZIONE DEL SENATO DELLA REPUBBLICA DEL 24-25 FEBBRAIO 2013 CIRCOSCRIZIONE ESTERO
    RIPARTIZIONE AMERICA SETTENTRIONALE E CENTRALE

  • Events: Reports

    Honoring War Criminals: The Monument to Rodolfo Graziani


    A political clash is growing in Italy after the dedication of a memorial to Fascist commander Field Marshal Rodolfo Graziani, a convicted war criminal. Graziani was honored with a mausoleum and a memorial park, all built at taxpayers' expense, in a village south of Rome. 

    He was notorious as Benito Mussolini's military commander in the colonial wars in Ethiopia and Libya, where he carried out massacres and used chemical weapons against the local population. [BBC News].


     
         Associations including ANED (Italian Association of Deportees), ANPI (Association of Resistance Partisans) and UCEI (Union of the Italian Jewish Communities) have made formal requests to remove the mausoleum. This roundtable will discuss Graziani's role under fascism, rehabilitation attempts of Fascist war leaders in Italy and public opposition to this political trend. 

     
         Historian of Italian colonialism Lidia Santarelli will discuss Graziani's role in Italian colonialist wars in Africa as well as his interventions in domestic politics. The panel will also address the failure of international sanctions and protests against the first use of poison gas against civilians. Ethiopian filmmaker Yemane Demissie will show and comment his documentary work on Ethiopian survivors of the 1937 massacre ordered by Graziani. The program is presented in collaboration with the Global Alliance for Justice - The Ethiopian Cause. 
     

     
    About the Speakers 
    Girma Abebe was born in Bulgs, Ethiopia. In his early life he witnessed the invasion of Ethiopia by Fascist Italy during which Field Marshal Rodolfo Graziani ordered the murder of thousands innocent Ethiopians in their homes.  Dr. Abebe recalled the destructions of countless homes and churches, including Tekle-Haimanot, in his own village. Dr. Abebe studied at the University of London and subsequently received a Master's degree from the Baruch School of Business and Public Administration at the City University of New York and a doctorate from New York University. 
         In the 1950s, he joined the Ethiopian Ministry of Foreign Affairs and served in the Department of the United Nations  and at the Ethiopian Embassy in Rome. He later entered the Ethiopian Mission at the United Nations in New York, beginning a 22-year career during which he had the rank of First Secretary,  Senior Counselor, and Secretary of the Trusteeship Council in the Department of Political Affairs and Decolonization.  

     
    Yemane I. Demissie is an award-winning independent filmmaker. His work has earned him numerous awards, including the John Simon Guggenheim Fellowship, the Walter Mosley award for Best Documentary, the Locarno Film Festival Production Grant, the American Film Institute's Filmmaker's Grant, the Paulin Vieyra Merit Award for Outstanding Work in the Cinema, the California Arts Council Artists Fellowship, and the Fonds Sud Writing Grant. His films include two narrative features, Tumult and Dead Weight, and a documentary, Twilight Revelations: Episodes in the Life and Times of Emperor Haile Selassie

         Currently, Mr. Demissie is producing The Quantum Leapers: Ethiopia 1930-1975, a six-part documentary series focusing on Ethiopian social, artistic, intellectual, political, and cultural history between 1930 and 1975. He is also developing a narrative feature film set during the 1918 Spanish Influenza pandemic, a worldwide catastrophe in which over fifty million people lost their lives.

         Mr. Demissie teaches in the Undergraduate Department of Film & Television at New York University's Tisch School of the Arts.

    Lidia Santarelli is a historian specializing in Italian colonial history. She received a Ph.D. in history and civilization from the European University Institute, Florence, Italy. She was an Associate Research Scholar at Columbia University (2006-2007), and Assistant Professor in European and Mediterranean studies at New York University. She is currently a fellow at Brown University and at the Italian Academy at Columbia University. For her Charles H. Revson Foundation Fellowship for Archival Research, Dr. Santarelli conducted research on "Diplomacy of Aiding, Living Space, and the Jews: Fascist Italy and the Holocaust. Greece, 1940-1943."
         Dr. Santarelli's research focuses on Italian Fascism and nationalism in the Balkans; systems of occupation; and the history and memory of war crimes in post-1945 Europe. She has published widely on these topics. Dr. Santarelli is the author of La Marcia su Atene. L'Italia Fascista e l'occupazione della Grecia 1940-43 [The March on Athens: Fascist Italy and the Occupation of Greece 1940-1943] (Bologna: Il Mulino). The book grew from her doctoral thesis that received the Rotary Prize from the European University Institute for best doctoral dissertation in History for 2003-2005. Amang her other awards, Dr. Santarelli is the recipient of a 2005-2006 post-doctoral fellowship at Princeton University.


  • Events: Reports

    CANZONIERE GRECANICO SALENTINO Returns to North America


    Italy's leading ensemble on the world music circuit, Canzoniere Grecanico Salentino, opens 2013 with the announcement of their North American concert return.  Hailing from the Puglia region, the seven piece band and dancer are the number one exponents in a new wave of young performers re-inventing Southern Italy's Pizzica Taranta music and dance traditions for today's global audience.  CGS introduced North American audiences to the power of Taranta for the first time in 2011.  The group's critically acclaimed debut tour led to a pair of high profile invitations for appearances at the 2012 editions of globalFEST and Womex, the international music market's two top showcase events.  


    Opening in New York City, on Friday, February 1, 2013 at Pace University's Schimmel Center for the Arts, Canzoniere Grecanico Salentino will perform a set drawn from their new album "Pizzica Indiavolata" which entered the World Music Charts Europe at #2 in December 2012 and features guest appearances by Malian kora virtuoso Ballaké Sissoko and pan-European singer-songwriter Piers Faccini.  CGS' Winter tour winds through performing arts centers and clubs in 11 US and Canadian cities on the East Coast and in the Midwest, finishing on Sunday, February 17, 2013 at Navy Pier in Chicago.  In mid-March 2013 Canzoniere Grecanico Salentino will take an American Spring Break confirming their first appearance at the famed SXSW Music Festival in Austin, TX.


    Italy's fascinating dichotomy of tradition and modernity come together in the music of Canzoniere Grecanico Salentino. With 17 albums and countless live performances throughout Europe and the Middle East, Canzoniere Grecanico Salentino was originally founded in 1975 by Daniele Durante.  Leadership of the ensemble was handed down to Durante's son Mauro, an already noted percussionist and violinist, in 2007.  In 2010 Canzoniere Grecanico Salentino was awarded Best Italian World Music Group at Italy's MEI confab.  Mauro Durante and CGS also serve as core members of the Notte Della Taranta orchestra.  Since 1998 this annual festival has sparked a modern renaissance in the music and dance of Puglia born from the ancient and universally-known Italian legend of the Tarantella.  The event has drawn the attention of noted international music figures such as Anglo-American drummer Stewart Copeland as well as musical stars of Italy's new generation already known to American audiences including Carmen Consoli, Vinicio Capossela and Ludovico Einaudi  all of whom have traveled to the Lecce province and the Grecìa Salentina to perform with CGS.


    Canzoniere Grecanico Salentino North American Winter Tour:


    Friday | February 1, 2013  | 7:30pm:                    New York City, NY      

    MICHAEL SCHIMMEL CENTER FOR THE ARTS

    3 Spruce Street

    Tickets: $35
    http://www.pace.edu/culture/canzoniere-grecanico-salentino


    Saturday | February 2, 2013  | 8pm:                     Arlington, VA      

    ARTISPHERE BALLROOM

    1101 Wilson Boulevard

    Tickets: $20
    http://artisphere.com/calendar/event-details/Music/CANZONIERE-GRECANICO-SALENTINO.aspx


    Sunday | February 3, 2013  | 8pm (Doors 7pm):           Philadelphia, PA      

    WORLD CAFE LIVE Upstairs

    3025 Walnut Street

    Tickets: $10-13
    http://tickets.worldcafelive.com/eventperformances.asp?evt=4047


    Wednesday | February 6, 2013  | 7pm:                    Hanover, NH      

    SPAULDING AUDITORIUM

    Hopkins Center for the Arts

    2 East Wheelock Street

    Dartmouth College

    Tickets: $10-30
    http://hop.dartmouth.edu/performances/canzoniere-grecanico-salentino


    Thursday | February 7, 2013  | 7:30pm:                  Somerville, MA     

    JOHNNY D'S

    117 Holland St Davis Square

    Tickets: $28
    http://www.worldmusic.org/canzoniere-grecanico-salentino-0-957


    Friday | February 8, 2013  | 7:30pm:                    Dearborn, MI     

    ARAB AMERICAN NATIONAL MUSEUM

    13624 Michigan Avenue

    Tickets: $10


    Saturday | February 9, 2013  | 8pm (Doors 7pm):         London, ON

    WOLF PERFORMANCE HALL

    252 Dundas Street - Downtown Library

    Tickets: $25
    http://www.ticketscene.ca/events/7607/


    Monday | February 11, 2013  | 7pm (doors 6pm):          Cedar Rapids, IA

    CSPS Hall

    1103 Third Street, SE

    Tickets: $17-21
    http://legionarts.org/calendar-list


    Tuesday | February 12, 2013  | 7:30pm (Doors 7pm):      Minneapolis, MN

    CEDAR CULTURAL CENTER

    416 Cedar Ave South

    Tickets: $15-18
    http://www.5gig.com/concerts/Canzoniere+Grecanico+Salentino-Minneapolis-MN


    Thursday | February 14, 2013  | 7:30pm:                 Marquette, MI   

    ISPHEMING WESTWOOD HIGH SCHOOL

    300 Westwood Drive, Ishpeming, MI

    Tickets: $20


    Sunday | February 17, 2013  | 12pm:                     Chicago, IL     

    NAVY PIER

    600 East Grand Avenue

    Tickets: free
    http://www.navypier.com/cal_events/cal_home.html


    Friday - Saturday | March 15 – 16, 2013  | TBA:         Austin, TX

    SXSW Music Festival
    http://sxsw.com/music/shows/about

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