Director Mimmo Calopresti discusses his latest film about a small Calabrian village’s redemption.
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Paola Randi is not your typical Italian director. She discovered her passion for the movie industry when she was over 30 and no major cinema school would have enrolled her, she is from Milan “where working in cinema is considered for aliens only”, she is a woman, and for her second directorial feature, she chose sci-fi, a very unusual genre for Italian cinema. After all, as she explained, “I was told that I would have failed with my second movie like everybody does, especially when you first film did well. Well, I thought, if this is going to be my last movie, I’d rather be bold.”
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Interview with the actress and director who presented in New York her second directorial effort, Euphoria. She talks about women and cinema in Italy and confides a desire: winning one day the Best Director award at the Cannes Film Festival in France. "It took me a long time to do what I wanted to do," she says, "not because I found it difficult as a woman. The problem came from within: I would call it self-censorship."
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After a two-year renovation, Quad Cinema is relaunching their theater with the most extensive retrospective ever seen in New York of one of Italian cinema’s great unsung legends until May 11.
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Nanni Moretti’s new film Mia Madre, starring the iconic Italian actress Margherita Buy, opens in North American theaters. Italian master filmmaker brings us back to the lyrical minimalism of La stanza del figlio – The Son’s Room (Cannes Palme d’Or winner), with Mia Madre, the story of a director shooting a political film while coping with her mother’s terminal condition.
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Giuseppe Basso has worked at Cinecittà for roughly ten years, three as the studio’s CEO. Now he’s launching a column in i-ItalyNY to celebrate the return of Rome’s Hollywood on the Tiber heyday.
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Paolo Genovese, the director and co-writer of Perfect Strangers, the Italian box office hit on how cell phones and social media have entered into fragile territories and affect almost everyone's lives, made himself available to share some of the secrets of his latest film. Produced by Medusa Film and Lotus Productions, the film has had its International Premiere at the Tribeca Film Festival on the 14th of April and is nominated for nine David Di Donatello awards (The Italian Oscars), including best picture and best director of the year.
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The Italian Cultural Institute of New York, the Museum of Moving Image, the Casa Italiana Zerilli Marimò, the Queens College City University of New York and Cinecittà Luce mark the centenary of the birth of the Italian director with a series of film screenings and educational talks.
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Written and directed by the prolific Italian-American actor, Fading Gigolo is the story of two penniless men who turn to the gigolo business to survive. The cast included Sofia Vergara and Sharon Stone.
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Lincoln Center has been busy with rolling screenings of this year’s most remarkable Italian movies, but last week Casa Italiana Zerilli-Marimò and the Italian Cultural Institute were equally busy with two related round tables